ALSACE-LORRAINE is an experiment. My idea was to combine aspects of a vertical French script and a German fraktur. For the most part, the top is the German and the bottom is the French. A font “mash-up” before that word was coined. Named for the region from which my father’s father’s family emigrated. Includes caps, lower case, numbers, punctuation, and international characters.
AEOLIAN is a narrow, elegant font that was inspired by the lettering on a pipe organ manufactured by the Aeolian Company. My friend Nelson got me started with scans of the various stop labels, like the one at left, found on the amazing Longwood Gardens Aeolian organ which he has worked to restore. I invented missing letters and numbers, then created two additional weights, Demi and Bold. Always grateful for posts like this: “Thanks for digitizing Aeolean for posterity. The original tradename was Façade, and it was introduced by the Boston Type Foundry in 1881. John F. Cumming cut certain… continued
TAPEWORM was inspired by the work of the great L.A.-based American artist Ed Ruscha. His characteristic work includes drawings and paintings of words: a single word, found language, and the like. This is one of the styles he’s used, which he has referred to as “Boy Scout utility modern.” It’s precise but awkward and looks like the letters an obsessive amateur sign painter would make with masking tape, of uniform weight but curious formation. Version 1.9 features and expanded character set.
The Dominican fonts are designed to look like old letterpress printing. Originally inspired by a font from Dan X. Solo’s books, I expanded the series to also include Italic and Small Caps. Version 3.0 now contains lining figures with the old-style figures still available as stylistic alternatives. All 3 fonts have been expanded and refined, making these a fine alternative to the overused Caslon Antique.
BEAD CHAIN and MARQUEE are a pair of fonts that are made up of dots. BEAD CHAIN suggests a string of pearls while MARQUEE offers your name in lights. Inspired by a book jacket from the 1920s or 30s, I’ve used the stately letterforms of Gill Sans as my guide, although most letters had to be reshaped to fit the beads. Version 1.5 includes an expanded character set, improved spacing and kerning.