DEAR JUDY is a fun font with flair. This unicase font has its roots in 1960s design: quirky, bouncy serifed letterforms, all caps with cap-sized lowercase versions of some letters (AEMNR). Extra curls on some alternates too! DEAR JUDY was inspired by a hand-lettered paperback cover from 1963 called “Cover Girl Nurse.”
ARTISAN BREAD is a set of three fonts with the feel of earnest, informal hand-craftsmanship. Each combines an “organic” texture with a whimsical approach to letter shapes and case. Available in 3 weights, Thin, Thick and Regular.
HANGOVER SQUARE is a set of 3 fonts with an early-1960s style. They were inspired by the handlettered titles of the 1964 mad-ventriloquist thriller Devil Doll, set in London as it was beginning to swing. The Regular font is a smooth sans serif with offbeat details. Hangover Square Stones has the same distinctive letterforms, with a rocky edge suggestive of horror or decay. Hangover Square Sticks is a condensed version, composed of rough vertical lines with a hand-drawn feel. Each font lends itself to all-caps or mixed-case usage.
Quirky UPBEAT could be categorized as a latin uncial. “Uncial” because it has one case, of x-height plus ascenders and descenders in the style of so-called uncial and half-uncial fonts. “Latin” because of the triangular serifs which give the font a lively texture. I love alternate characters and UPBEAT has its share. Use these to create variety in your lettering. Located in the lowercase positions. Each font (Regular, Demi, Bold) includes single case letters plus alternates, numbers, punctuation, and international characters.
SOLEMNITY is a bold calligraphic font. It’s an uncial, having a single case that has aspects of upper-and lowercase forms. SOLEMNITY was inspired by Solemnis, designed by Günter Gerhard Lange in 1952. I drew my font fresh using analog examples and invention as needed, and the name was chosen to honor its origin without misusing any trademarks. Version 2.0 has refined letters and numbers, an expanded character set, and improved spacing and kerning.
QUEER THEORY is my attempt to make a monospaced font with a less predictable feel. I was thinking about fonts like Envision, Democratica and Rotis Semi Serif, with their hybrid letterforms and irregular application of serifs. The basic letterforms of Queer Theory were derived from the invisible classic Courier, fusing upper and lowercase in a way that suggests an uncial. Unlike your average Courier though, this font has very square–not rounded–slab serifs. Includes single case letters, numbers, punctuation, and international characters.
VICARAGE, RECTORY and PARSONAGE are separate but related decorative fonts, each with a romantic, historical feel and inspired by hand-lettered film titles. Each could also be used to suggest Olde Worlde gentility, holiday festivity, or spirituality. Each font is all caps with many alternate forms for more variety and looks great as LARGE and SMALL CAPS. VICARAGE, the boldest of the three, was inspired by the trailer of the film The Private Lives of Elizabeth and Essex (1939), art directed by Anton Grot. RECTORY, suggestive of pen calligraphy, was inspired by the opening credits of Going My Way (1944), art… continued
CRAZY HAROLD is a fun, retro-festive font. Inspired by an example of this name, as reproduced in Paul E. Kennedy’s 1974 Modern Display Alphabets, I’ve redrawn the font and expanded the set to include useful Condensed and groovy Flair varieties as well. And Condensed Flair too! Version 2.0 uses the Stylistic Alternates feature of Opentype to make the alternate characters easier to access, and includes an expanded character set and improved spacing and kerning.
WILLING RACE is my adaptation of the opening credits of the TV show Will & Grace, originally designed by Number Seventeen. Like those, I’ve mixed large and small caps with roman and italic lowercase, all based on Times Roman. There are alternates of each x-height character for nearly infinite variation. As suggested by Sara, I have added a more accurate (to the show credits) engraved “Modern” style ampersand. BTW, the names in the graphic above were the names projected for 2002 Eastern North Pacific storms. These are all worked out for years in advance with alternating male and female names… continued
PIECES is designed to look like a partially assembled jigsaw puzzle. The letters interlock automatically as you type. Use _ | or \ instead of a space to connect your words. The basic letterforms are my “unicase” takeoff on Freeman Craw’s ubiquitous Ad Lib font (1961). This font has the letters on the white background in the uppercase positions and with the black background in the lowercase positions. TyPiNg LiKe ThIs creates an alternating effect. Due to space limitations, it does not contain the complete character set in both black and white. There’s a separate complete font in Black and… continued