GAMERA was inspired by the hand-lettered titles of the English-language version of certain Gamera films. The font is emphatic and primitive with a rough organic edge, rather like its giant mutated namesake. Gamera was Daiei Studio’s answer to Toho Studio’s Godzilla. At the start of the series, the giant mutated turtle was a grave threat, but then became “friend to all children.” To me, all these such monster movies are just awful, but with the MST3K treatment they become good for a few laughs. Of course the atrocious dubbing and other attempts to sell the films in the West may… continued
DIRTY FINGER is a deceptively simple font, based on my own hand printing. It was begun by inking a Plexiglas plate, then drawing the letters backwards into the ink with my finger and a rag, the same way I draw my monoprints. Then I scanned, reversed, and flipped it to make what you see here.
BRICKLETTER was inspired by Jeff Levine’s interlocking all-brick font “Off the Wall.” I took the brick idea that and added letters based on Max Kaufmann’s classic font Balloon. Each letter fits with the next to create a brick wall emblazoned with bold graffiti. The brackets and underscore can be used to create square ends and bricked space. Parodied on Something Awful as “Bricks of Failure…What could make a font read better than putting a bunch of bricks behind it? Absolutely nothing! It’s perfect!” This font contains caps, numbers, punctuation, and international characters.
BACKHAND BRUSH is my re-creation of a classic 19th-century style of hand lettering, also known as a “marking” alphabet. Like some Victoriana and Art Nouveau fonts, it was revived in the psychedelic era. My font is completely redrawn from an antique guide to hand lettering. I have regularized it somewhat (maintaining a constant 18-degree slant) but also tried to keep a slightly random brush feel. Version 1.5 has an expanded character set and improved spacing and kerning.