-Suitable For Text-
LAPIS LAZULI is a set of 3 calligraphic fonts. Inspired by a simple, elegant font called “Papyrus” in one of Dan X. Solo’s great font books, but unrelated to the familiar ITC font of the same name. Any additional information would be appreciated. In completely redrawing the font, I’ve regularized and expanded it and added 2 more weights, Demi and Bold. Each font includes caps, lower case, numbers, punctuation, and international characters.
The KOMBINE FONTS are experiments in crossing fonts, font mashups. My inspiration was found in Blackletter: Type and National Identity (Cooper Union, 1998, p.33), a most interesting book for anyone keen on fraktur. There was a small illustration (below) of a font called “Centralschrift (C. G. Schoppe Foundry) 1853, a 19th c. hybrid of fraktur and a neo-classical roman”. The upper parts–those which most enable reading–are the more familiar roman, producing a more legible font for those (like me) unfamiliar with the fraktur. I used as my models a Wittenberger fraktur and various members of the Century family, recognized for… continued
JANUARY is my digital interpretation of the analog font Jana. The concave shapes of most characters and the notches on many give this sans-serif an elegant sparkle. There’s another digital version of Jana out there, but mine has been entirely redrawn and is very smooth. I’ve added two weights, Demi and Bold. People send me wonderful suggestions and information; the Jana story is no exception. Janet got me started with a scan which jogged my memory. Bill suggested it was released by Visual Graphic Corp. Now Philippe has confirmed that Jana was created by Richard D. Juenger (b. 1928, Illinois)… continued
The GAUMONT fonts are based on the hand-lettered titles of the film The 39 Steps (1935), a Gaumont-British Picture, directed by Alfred Hitchcock. The regular and italic both appear in the opening titles. I’ve taken a few liberties, regularizing the characters but preserving the quirkier letterforms and rounding out the font in the same spirit. Each font includes upper and lowercase, numbers, punctuation, and international characters.
GALATHEA is my digital interpretation of a classic font of the same name. I’ve seen it in several sources (Dan X. Solo books and Alphabets & other signs by Rothenstein and Gooding), always with this name, but not in digital. A beautiful and graceful italic font, apparently without a matching roman, GALATHEA was named for Pygmalion’s mythical female creation. The only documentation I’ve found for the font is: Originalerzeugnis von J. G. Schelter & Giesecke, Leipzig. Because of the steep incline of the letters, a LOT of kerning is employed to make them fit together neatly. If the program you’re… continued
Like its predecessor, Gaumont, GAINSBOROUGH was inspired by the hand-lettered titles of an Alfred Hitchcock film. The Lady Vanishes (1938) was produced by Gaumont-British, and is identified as “A Gainsborough Picture” in the opening credits. Another quirky sans serif. Includes upper and lowercase, numbers, punctuation, and international characters.
FRANK THE ARCHITECT was inspired the handlettering in Frank Ching’s classic (now out of print) book Architectural Graphics (1975). I had read that Adobe’s lovely, ubiquitous Tekton was also based on Ching’s lettering, but the book is more beautiful than I’d expected. In these fonts I’ve tried to evoke more of the idiosyncrasies of Ching’s original, including the texture. There are regular and bold fonts, and a companion alternates font for each that includes dotted i’s and j’s and these circled numbers. Includes caps, lower case, numbers, punctuation, and international characters. More information Tekton is a trademark of Adobe Systems… continued
EPICURUS was inspired by Roman manuscripts on papyrus from Herculaneum. I’ve modernized the forms of the distinctive capitals, adding the “new” letters, lowercase and non-Roman numerals. Epicurus has a clean stroke and the feel of a contemporary sans serif. The example is just for reference. The texts I actually used are in Oxford’s Bodleian Library and cannot be reproduced here. The font is named for the Greek philosopher, not the recipe website. Includes upper and lowercase, numbers, punctuation, and international characters.
DAD’S RECIPE is derived from my father’s hand printing. I used a recipe he had written out for me (for cole slaw specifically, simulated above) and rounded it out with other samples from my cookbook. Dad almost always used a blue ballpoint pen on lined tablet paper, so these shared recipes had a very consistent look. V1.5 has been rescaled and fleshed out with my usual character set. Includes two versions of each letter, punctuation, numbers, and international characters. DAD’S RECIPE as featured onthe back of bags of Sun Chips. DAD’S RECIPE as used in the “Words in Transit” program… continued
CANTABILE began as a “modern,” Bodoni, or Didot style. I removed serifs and added balls along the lines of a sort of upright, swash italic. I was thinking Postmodern, but it’s more fun than that, vaguely musical. Hence the name, which has four syllables and is an Italian musical term for “singingly.” Version 3.0: Now in 3 weights! For each weight, there is a companion font of alternate characters includes these f ligatures, and other alternate characters to create a more custom look. Type one key and get a fancy custom f ligature. Use these special combining characters with the… continued