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Bootstrap has a rough-hewn Western feel, like letters were made by an old-time blacksmith. The letterforms are bold and simple, with spurs and a rough texture. Bootstrap’s roots are in my Tapeworm font, reimagined for a new old look.

Old New England is a bold and stylish script font with a speckled texture reminiscent of a well-worn T-shirt or salvaged sign, comfortably worn. It’s a companion to New England, the lighter and smoother original.

SCHNAPPS is a lively calligraphic font that captures a jolly German character. Could be used to suggest anything from Oktoberfest to Christmas to Old World craftsmanship. More legible and decorative than many other blackletter fonts. SCHNAPPS was inspired by the hand-lettered credits of Carol Reed’s “Night Train to Munich” of 1940, art directed by Alex Vetchinsky.

BOGO is a friendly and graceful font with an Art Nouveau feel. It was inspired by the light variant of Morris Fuller Benton’s classic Hobo that appeared in 1915 and seems not to have digitized. I completely redrew the typeface from historic examples, maintaining its curvy lines and descender-free lowercase. BOGO has a lightness and elegance that is sometimes lacking in Hobo and its many imitators.

Unraveled is a fun font that looks like a craft project made with yarn or string. Each letter is a single fuzzy line wound round and round. Perfect for color and layering. Unraveled was inspired by the hand-lettered titles of Roger Corman’s 1959 horror comedy “A Bucket of Blood”, art directed by Daniel Haller. The film is set in a world of Beatnik artists and poets in San Francisco and is ripe for adaptation as a musical à la “Little Shop of Horrors.”

The Wm Blake fonts were inspired by the work of the great English poet and artist. William Blake (1757-1827) wrote, illustrated, lettered, printed, and hand-colored his “Songs of Innocence” and “Songs of Experience”, inventing a new form of printmaking along the way, all very inspirational to me as a printmaker and font designer. These fonts maintain the romantic charm of Blake’s original hand lettering—quite different from typeset—in both roman and italic forms as he used.

The Fast Lane fonts were inspired by roadway and parking lot markings, reflecting both the stencil style and the stretched form that looks normal when viewed at an angle. The Icons fonts includes symbols and arrows to accompany the letters and numbers. The regular fonts could be used to make printable stencils; I’ve also created Rough versions with a pavement texture for other applications.

Birthday is a bright and lively sans serif in large and small caps. In the Bounce versions, the small caps have a bouncy, irregular alignment. Three widths are available for more flexibility. Birthday was inspired by the hand-lettered titles of the film “The Band Wagon” (1953), directed by Vincente Minnelli, art directed by Preston Ames and Cedric Gibbons.

LINX is a pair of fonts designed to look like letters formed with chain. A companion to my Bead Chain font, this one is looser and feels more like it’s been arranged by hand. One version is solid, the other has highlights for a more three-dimensional look.

ACE OF CLUBS is a decorative display font with its roots in the 19th century. The unique trefoil or club-shaped terminals give it a certain jolliness, inspired by the former “lollipop” logo of the A&P supermarket chain. Starting with just 2 letters, I expanded it into a complete font with upper- and lowercase, numbers, punctuation, and the rest.

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