ALSACE-LORRAINE is an experiment. My idea was to combine aspects of a vertical French script and a German fraktur. For the most part, the top is the German and the bottom is the French. A font “mash-up” before that word was coined. Named for the region from which my father’s father’s family emigrated. Includes caps, lower case, numbers, punctuation, and international characters.
AEOLIAN is a narrow, elegant font that was inspired by the lettering on a pipe organ manufactured by the Aeolian Company. My friend Nelson got me started with scans of the various stop labels, like the one at left, found on the amazing Longwood Gardens Aeolian organ which he has worked to restore. I invented missing letters and numbers, then created two additional weights, Demi and Bold. Always grateful for posts like this: “Thanks for digitizing Aeolean for posterity. The original tradename was Façade, and it was introduced by the Boston Type Foundry in 1881. John F. Cumming cut certain… continued
The Dominican fonts are designed to look like old letterpress printing. Originally inspired by a font from Dan X. Solo’s books, I expanded the series to also include Italic and Small Caps. Version 3.0 now contains lining figures with the old-style figures still available as stylistic alternatives. All 3 fonts have been expanded and refined, making these a fine alternative to the overused Caslon Antique.
BEAD CHAIN was inspired by a book jacket of the 1920s or 30s that featured white pearls arranged to form handsome capitals. I’m using the stately forms of Gill Sans, although some letters had to be reshaped to fit the pearls better. Then, after seeing Chicago again, I made MARQUEE, a companion negative font. Use them separately or layered together. If you’re into beads and want something script, check out Pearlie. Includes upper and lowercase, numbers, punctuation, and international characters. Here’s a nice example of Bead Chain in action in the making-of on the Hamlet 2 DVD. They’ve used it… continued