QUINCE is a brush script with a different attitude. The basic letterforms were inspired by Murray Hill (Emil J. Klumpp, 1956). I’ve completely redrawn the letterforms with a rough “art brush” to produce an expressive, painterly line, rather than a pen line. Could be crayon, lipstick, of graffiti. More “Bratz®” than “Barbie®”. Includes upper and lowercase, numbers, punctuation, and international characters. Although Linotype says Murray Hill was named for a “small town in New Jersey”, I’m certain it was named for the Manhattan neighborhood of the same name (as was the NJ town.) To me, the original Murray Hill font… continued

QUEER THEORY is my attempt to make a monospaced font with a less predictable feel. I was thinking about fonts like Envision, Democratica and Rotis Semi Serif, with their hybrid letterforms and irregular application of serifs. The basic letterforms of Queer Theory were derived from the invisible classic Courier, fusing upper and lowercase in a way that suggests an uncial. Unlike your average Courier though, this font has very square–not rounded–slab serifs. Includes single case letters, numbers, punctuation, and international characters.

PUB SMOOTH was inspired by the classic font Publicity Gothic, which was “based on the sturdy woodcut display faces of the late 19th century.” Remarkable for its fat, friendly letterforms and bumpy outline. Adobe sells a fine version and if that’s what you want, buy it from them, as I did. In using Publicity Gothic, I realized that the bumpy outlines didn’t work well on-screen and at smaller sizes in print. So I completely redrew the font with smooth clean edges and corners. I’ve tried to remain faithful to the spirit of the original design. Just for fun, the set… continued

The five PROJECT fonts were inspired by the hand-lettered titles of the film Project Moon Base (1953). Tucker brought them to my attention with a couple of very clean stills. I only knew the film from a grainy tape of when they lampooned it on Mystery Science Theater 3000. It’s my favorite kind of scifi: laughably dated, fake, and earnest. (Also used in Crash of Moons.) I’ve made a set of five fonts–Light, Medium, Bold, Bold Inline, and 3000 (the 3-D style)–for a variety of uses. Out of the Moon Base context, it can have a very diferent feel, almost… continued

POIGNANT is an elegant titling font that combines aspected of a Didone (“modern”) with calligraphic flourishes. Inspired by the hand-lettered titles of certain Twentieth Century Fox films such as All About Eve (1950), Gentleman’s Agreement (1947), and Niagara (1953)–all art-directed by Lyle Wheeler, perhaps a clue to the original hand. And if you really like film titles too, check out this site. Each font includes caps, lower case, numbers, punctuation, and international characters.

Plumber’s Gothic is my digital interpretation of the font formerly used by 3M to brand its products. According to their excellent corporate history, the “boxy, serifed…decidedly industrial” logo and font were designed by Gerald Stahl & Associates in 1960 and used throughout their product line until the late 1970s. “Unfortunately ‘plumber’s gothic’ no longer accurately reflected the image of the more sophisticated, higher-tech company that 3M had become.” (Thanks, John, for getting me started on this!) Includes upper- and lowercase, numbers, punctuation, and international characters.

The characters of PENSTRIPE and PENCILSTRIPE are each composed of bands of 5 parallel lines, suggesting a sketch, weaving, or even a musical staff. Looks great layered in contrasting colors. In three weights and two textures (smooth Pen and rougher Pencil) which are best seen at larger point sizes. These fonts were inspired by the 1940’s pajama ad shown here. Includes uppercase, numbers, punctuation, and international characters.

PEARLIE is a script font designed to look like a string of graduated pearls. This is the kind of font I wanted a couple years ago for a Debutante Ball; now I’m ready! The basic letter forms were inspired by those of Monotype Script. Links without kerning; looks especially good reversed or with 3-D effects. Includes upper and lowercase, numbers, punctuation, international characters, and a few flourishes for the beginnings and ends of words.

VICARAGE, RECTORY and PARSONAGE are separate but related decorative fonts, each with a romantic, historical feel and inspired by hand-lettered film titles. Each could also be used to suggest Olde Worlde gentility, holiday festivity, or spirituality. Each font is all caps with many alternate forms for more variety and looks great as LARGE and SMALL CAPS. VICARAGE, the boldest of the three, was inspired by the trailer of the film The Private Lives of Elizabeth and Essex (1939), art directed by Anton Grot. RECTORY, suggestive of pen calligraphy, was inspired by the opening credits of Going My Way (1944), art… continued

PALIMPSEST is an experimental font combining the letterforms of a traditional blackletter font with the texture of a Benday or halftone dot screen. Modern + Medieval. Pop + Parchment. At first glance it appears somewhat blurred or faded but is very cleanly rendered from vector drawings for smooth edges at any size. (Bigger is better.) Includes upper and lowercase, numbers, punctuation, and international characters. PALIMPSEST comes in four weights: Light, Regular, Dark, and Black, which can be mixed and matched for interesting effects. The graphics above show only the Regular weight; at left are all four for comparison.  

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