The third set of my monograms fonts, this one includes 4 fonts to produce 2-letter hexagonal and 3-letter octagonal monograms. Separate fonts in each shape let you create monograms with either a white or black background. You can choose to use the frame or not with any monogram. Both shapes include 2 other frame shapes; the octagonal monograms offer the added possibility of 1-letter and “A&B” style monograms.
OAKTAG is a set of 6 unique stencil fonts, inspired by the one-character logo of England’s Channel Four. Originally called “Stencil Four”. For the regular font, I applied the same constructed style to all the characters, using a bold, condensed version of the classic font Clarendon as a reference. Channel Four has updated their logo to a 3-D style (left); now I’ve added 4 fonts to the set (and improved the appearance of the original two fonts). Mix, match and layer them!
The three OBLIQUE TEXT fonts were inspired in part by the font OBLIQ, designed by Ellipsis, 1984, and issued by Letraset. I have taken some liberties with the letterforms, regularizing them somewhat and sharpening corners. My font friend Janet Wilson got me interested in this font when she sent me photocopies of unused rub-down lettering sheets of the Light and Medium; the Bold is my own invention.
OHMIGOSH is a series of 12 fonts inspired by the style of classic comic strip lettering. There are 3 widths–1, 2, 3–each with Regular, Italic, Bold, and Bold Italic. The direct inspiration for #3 was the strip Gil Thorp, from the days it was drawn by Frank McLaughlin (a classic frame at left). For a fresh perspective on the state of comic strip art, check out the blog Comic Curmudgeon! It’s given me a reason to laugh at the “funnies” again.
OK Monograms is a unique font that lets you create custom 2-letter monograms in an informal, retro-future style. It was inspired by the logo from my Lionel-Porter chemistry set I had as a kid in the 60s, when our vision of the future was shiny and hopeful, like the Jetsons.
OKLAHOMA was inspired by the opening titles of the classic film of the same name (1955, directed by Fred Zinnemann, art direction by Joseph C. Wright.) A fancy wood type that sings, a nice compliment to the early 1900s setting of the story. If only they’d had this font when they designed the DVD!
ONION was inspired by an unidentified font included in Art Deco Initials, selected and arranged by Carol Belanger Grafton [Dover, 1991; "selected from rare periodicals (mostly European), type catalogs and printed ephemera ofthe 20s and 30s."]