The SILVERLINER fonts were inspired by the opening titles of (and trailer for) Strangers on a Train, a 1951 Warner Bros film directed by Alfred Hitchcock, art directed by Ted Haworth. The fonts–Regular, Oblique, Wide and Wide Oblique–suggest the sleek style of rail travel of the period. Each font includes upper and lower case, numbers, punctuation, and international characters.
SEAFARE is a jolly 19th-century style font. It’s bold and decorative with a hint of sea waves was inspired by the hand-lettered titles of Alfred Hitchcock’s 1949 costume drama Under Capricorn, art directed by Thomas N. Morahan. Available in solid, outline and beaded varieties which can be layered as in the image on this page. Includes caps, numbers, punctuation and international characters After creating the font, I found these examples of a similar but sloped font in Rob Roy Kelly’s “American Wood Type 1828-1900.” You could create this effect with Seafare, if desired.
The Retrospace font was inspired by the hand-lettered opening credits of the film Some Came Running (1958). The Long, Hot Summer (another 20th Century Fox production from 1958) has similar credits; the films do not share directors or art directors. Font includes large and small caps, numbers, punctuation, and international characters.
The REBECCA font was inspired by the distinctive and stylish handwriting of the title character of the classic film. Rebecca (1940) was based on the novel by Daphne du Maurier and directed by Alfred Hitchcock. The title character is dead and not even a portrait of her is ever seen. Her handwriting appears several times in the film and is perhaps the thing that most personalizes her. Her large initial R appears embroidered on a number of her possessions, including the pillow in flames at left. Rebecca’s signature, address book, and correspondence all appear in closeups as evidence of her… continued
The five PROJECT fonts were inspired by the hand-lettered titles of the film Project Moon Base (1953). Tucker brought them to my attention with a couple of very clean stills. I only knew the film from a grainy tape of when they lampooned it on Mystery Science Theater 3000. It’s my favorite kind of scifi: laughably dated, fake, and earnest. (Also used in Crash of Moons.) I’ve made a set of five fonts–Light, Medium, Bold, Bold Inline, and 3000 (the 3-D style)–for a variety of uses. Out of the Moon Base context, it can have a very diferent feel, almost… continued
POIGNANT is an elegant titling font that combines aspected of a Didone (“modern”) with calligraphic flourishes. Inspired by the hand-lettered titles of certain Twentieth Century Fox films such as All About Eve (1950), Gentleman’s Agreement (1947), and Niagara (1953)–all art-directed by Lyle Wheeler, perhaps a clue to the original hand. And if you really like film titles too, check out this site. Each font includes caps, lower case, numbers, punctuation, and international characters.
VICARAGE, RECTORY and PARSONAGE are separate but related decorative fonts, each with a romantic, historical feel and inspired by hand-lettered film titles. Each could also be used to suggest Olde Worlde gentility, holiday festivity, or spirituality. Each font is all caps with many alternate forms for more variety and looks great as LARGE and SMALL CAPS. VICARAGE, the boldest of the three, was inspired by the trailer of the film The Private Lives of Elizabeth and Essex (1939), art directed by Anton Grot. RECTORY, suggestive of pen calligraphy, was inspired by the opening credits of Going My Way (1944), art… continued
OKLAHOMA was inspired by the opening titles of the classic film of the same name (1955, directed by Fred Zinnemann, art direction by Joseph C. Wright.) A fancy wood type that sings, a nice compliment to the early 1900s setting of the story. If only they’d had this font when they designed the DVD! As the still frame at left suggests, Oklahoma was filmed widescreen–simultaneously in two incompatible formats. But they still had to condense some of the titles to fit them onscreen. Includes caps, lowercase, numbers, punctuation and international characters. A strange sighting: a Japanese sweatshirt as seen on… continued
MOCKINGBIRD was inspired by the opening title for the classic film, To Kill a Mockingbird (1962), designed by Stephen Frankfurt. A child’s hands browse a cigar box of treasures and make this crayon rubbing that forms the title. I modeled my letterforms on Franklin Gothic as the closest match. I didn’t fake the texture which comes from an actual rubbing of a photopolymer plate. Includes upper-and lowercase, punctuation, numbers, international characters, plus special end-caps and space for a complete look.
MAGIC CARPET is a calligraphic font with a lively, brush-like style, even vaguely exotic. It was inspired by the hand-painted titles (below) of the film Lust for Life (1956), a biography of Vincent Van Gogh, directed by Vincente Minnelli, art directed by Cedric Gibbons, Hans Peter and Preston Ames. Includes upper and lowercase, numbers, punctuation, and international characters.