KAELA was one of my early fonts and was “retired” a while back. After a couple requests and a major sighting, I’m bringing it back. Expanded character set, slightly heavier weight for better appearance on screen, and a few other improvements.
Originally derived from the handwriting of one of my students.
And now with a big to Idolize! (In the \ position.)
KAFFEEHAUS NEON was inspired by the classic script font KAUFMANN®, which was designed by Max Kaufmann in 1936 and remains popular. That font is widely available under its trademarked name or as Coffee, Diner, Diana, and many others. My version is completely redrawn and differs significantly from the original.
KARTA was inspired by the 2-letter logo of the Johnston Paper company (below. I was stopped behind their delivery truck and quickly jotted it down.) Looks like folded paper or a paper construction. The set includes Regular and Bold which are outlines of the planes, and Solid which can be used separately or layered to create a color fill.
KING HAROLD was inspired by the embroidered lettering on the famous Bayeux Tapestry.
The Tapestry was made c.1073-83 and records King Harold’s adventures and loss at the Battle of Hastings to William the Conqueror, with a special appearance by Halley’s Comet. It measures 230 feet long (69 meters) and is one of the great examples of Romanesque art.
KING XMAS is a versal, or Lombardic, alphabet inspired by a small sample in a 1930s Speedball book. The current version combines two fonts in one: solid in the uppercase positions, white-starred letters (like the words above) at the lowercase position. It pairs nicely with a bold blackletter font like Fette Fraktur.
KOCH QUADRAT is based on the work of the great type designer Rudolf Koch (1876-1934). Among his many remarkable and long-lived font designs are Kabel (also called Cable, Geometric 231, and Boulder), Koch Antiqua (Eve, Locarno, and Lilith), Neuland (100 other names and variants, including my Bride), Wilhelm Klingspor Gotisch, and many others. Koch was a calligrapher, a pious man, a teacher, and a war veteran. Koch Quadrat is derived from his demonstration of constructing each Roman capital. Using simple geometric elements, Koch developed a set of seven diagrams (appearing in the center of the animation on this page) combining similar letters within a square (Quadrat). These would make fine initials and combine easily with Kabel, Koch Antiqua and others.
KOCH RIVOLI is my digital version of Rudolf Koch’s original.
Although now known as Rivoli, in other references it is called simply “Zierbuchstaben” (decorative book initials), intended as a companion font to Koch Antiqua, which is also known as Locarno, Eve, and Lilith. Try it with one of those (or Bernhard Modern) if you need a number or a bit of punctuation.
The KOMBINE FONTS are experiments in crossing fonts, font mashups. My inspiration was found in Blackletter: Type and National Identity (Cooper Union, 1998, p.33), a most interesting book for anyone keen on fraktur. There was a small illustration (below) of a font called “Centralschrift (C. G. Schoppe Foundry) 1853, a 19th c. hybrid of fraktur and a neo-classical roman”. The upper parts–those which most enable reading–are the more familiar roman, producing a more legible font for those (like me) unfamiliar with the fraktur.