The IMITATION fonts were originally inspired by the hand-lettered titles of the film Imitation of Life, (1959, directed by Douglas Sirk, art-directed by Richard H. Riedel.)
In response to requests. I married my lowercase IMITATION ONE to script caps inspired by ImageLine’s “Dance of the Brush” (which in turn appears to be have been inspired by the work of Charles Bluemlein) to produce IMITATION TWO.
INSTITUTE STAMPS is a pair of monospaced rubber-stamp style font that emphasize the primitive nature of the medium, suggesting a telegram or oher early machine print.
Working with a set of cheap, imported toy stamps, I deliberately printed them to include variation and accident. The Bold font has dark inky letters, the Regular is lighter and drier looking. These can be used separately or mIXed, depending on your taste.
INTERMITTENT was inspired by some of the titles for the movie “West Side Story,” designed by the legendary Saul Bass. Bass’ titles take several different turns; this style was used for the title and intermission cards. Composed of slightly irregular parallel lines that suggest a bold, wide sans serif, Intermittent is like a sketch of a font, bold and wide but with a gentle sparkle. This font can be condensed, expanded, layered, and negatively spaced to great effect. Read more…
IXAT is designed to give a feeling of speed and motion. The basic letter shapes are patterned after Herb Lubalin’s 1971 classic Avant Garde, from which I’ve subtracted white streaks and added black streaks. There are four Ixat fonts (with and without the black streaks, and with alternates of each letter) that can be used individually or layered together and colored as above. Each of the four foreground colors is set in a different font.